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The 3,000 or so prisoners who have been through this program almost certainly saw gentler treatment than other jihadi prisoners, some of whom, human rights groups say, were tortured to elicit confessions.
Top-selling artist Abdelnasser Gharem, who spent a career in the army before turning full-time to art, hosted us at his home, which is also a hub for young Saudi artists.
Vision 2030 had its own tricked-out pavilion at the festival, with flat-screen TV displays. The resort town of Jizan gets internal tourism, but few foreign visitors.
The incident is extensively documented in the Fort’s permanent exhibit, including by a 1950s-era, ARAMCO-produced film that dramatically recreates the story.
The old city of Riyadh was largely demolished in the 1950s, and thus the streets around Masmak Fort are now dominated by dissonant strings of dilapidated mid-century buildings.
The center is structured much like an addiction treatment facility, but the “illness” they treat is one that they describe as “intellectual deviation” into religious beliefs that justify terrorism.
The program begins after prisoners complete their jail sentence, and works to reintegrate them into their families and communities.